Please note all workshops outside of Malérargues are organized independently of the Centre Artistique International Roy Hart.
Workshop Description:
The Roy Hart Centre tradition assumes that every voice has great potential. In this workshop, we will immerse ourselves intensively in the exploration of the voice and its expressive possibilities. Through contact with the voice, confidence in one’s own personality is strengthened. There is no longer any right or wrong, only »being in tune with yourself«. This is the path to your own artistic expression.
Please bring a memorised song or text.
The language will be in German and English.
Further contents of this workshop:
• Body and breathing exercises
• Voice training
• Song interpretation
• Improvisation
• Singing together / songs from Georgia and all over the world
• Individual work
Booking Information and Contact:
etage2
Roy Hart Voice Center Hannover
Edda Heeg
Edwin-Oppler-Weg 5
30167 Hannover
Tel: 0049 (0)511-131 90 21
www.stimmetage2.de
info@stimmetage2.de
- VOCAL EXPRESSION
- EXPLORATION
- IMPROVISATION
- MUSIC
- MOVEMENT
- SONGS
- POLYPHONIC SONGS
Edda Heeg
Singer, Performance Artist, Voice Teacher, Musician
Lives in Hanover, Germany
Roy Hart Voice Teacher since 2001
My very first experience of the Roy Hart voice work was in 1988 when I had my first individual lesson with Marita Günther. The joy of life and love entered into my voice. Now it has become my life and my passion to accompany people into the singing process. Singing means much more to me than the actual producing of a sound. It is a deep process of self-reflection, self-confidence and self-knowledge. For me my work is energetic work on all levels, combined with deep and passionate emotions to reveal the inner flow of life and love.
Contact
- BODY
- PRESENCE
- POLYPHONIE
- PLAYING
- EXIGENCY
- DISCOVERY
- MEETING
Laurent Stéphan
Actor, Singer, Massage Practitioner
Lives in Malérargues, Thoiras, France
Roy Hart Voice Teacher since 2011
For me, the philosophy of the Roy Hart voice work lies in listening to and observing the totality of the person who is expressing; taking the risk to be fully in the moment and following our intuitions. It is to give confidence to the student so s/he will dare to venture into places within him or herself, and into qualities of the voice perhaps not yet known, while taking pleasure in this exploration. It is to open a field of possibilities and to welcome the many personalities, voices and energies of which we are comprised. Finally, it is to appreciate beauty wherever it resides.